Review: Cape Fear(1962)

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Cape Fear is a late film noir or early neo noir from 1962, brought to the screen by Gregory Peck. He brought the book The Executioners by pulp and noir great John D. MacDonald to the screen. He didn’t like the title, The Executioners, and from 1960’s marketing perspective, Peck thought films named after places did well at the box office. So he looked along the East Coast for a name and he came across Cape Fear. Peck’s company backed this film and it actually lost a lot of money on its release. The film was to violent and tackled subjects that movie goers didn’t want to see. Luckily when Martin Scorsese remade this film in 1991, Peck still owned the rights. He made a tidy sum on licencing of the film to Scorsese.

Honestly I put off watching this classic for years. After seeing the 1991 version I could not see how this one could compare. I mean, how could anybody be better then Robert De Niro and Scorsese?

I finally broke down and watched this classic and I’m glad I did! Directed by J. Lee Thompson I had low expectations. Thompson may not be Scorsese, but he did a damn good job.

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This story is a classic tale of a good man pushed to the brink by a bad man. Will the good man have to do illegal, evil things to rid himself of the bad man? Will good prevail over bad?

Gregory Peck plays lawyer, Sam Bowden. A upstanding man of the community with a beautiful wife and daughter. At first, I questioned the character being a lawyer. I thought he prosecuted or defended Max Cady, and that is why Cady hated him. He is actually an eye witness to a crime and his testimony put Cady in prison. So if Bowden is a witness, why does he have to be a lawyer? Well as the film progressed I understood why. Bowden takes the law very seriously, because that’s his job. If Bowden was in another profession, I think the story would have progressed differently.

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Cady is played by Robert Mitchum and is one of those performances everybody needs to see! Cady is an ex-con who just got out of prison for assaulting a young girl and was seen in the act by Bowden. If it wasn’t for Bowden, he would have got away with it, and not spent the last 8 years in prison. His life would not have been ruined and he is looking to get revenge. Cady uses his time in prison wisely, and studies law. He know just what he can say and do, according to the law and Bowden can’t do anything about it.

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The clash of good and evil starts with the law being the game. Look for Polly Bergen as Bowden’s wife and Martin Balsam as the Police Chief. My favorite small role in this film goes to Telly Savalas as the hardboiled P.I. Bowden hires. Savalas tried for the role of Cady but lost out to Mitchum and received this role instead.

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It has been years since I have seen the remake of this film, but after watching this I’m going to have to watch them back to back to see who played Cady better, De Niro or Mitchum. I remember De Niro being great in this, but Mitchum’s portrayal is legendary.  Some Sunday afternoon, I will need to watch these back to back and look at a film vs film on these two. Maybe I will read the book first and look at a book vs film vs film, now that would be interesting.

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This is a must see classic for all fans of film and especially those that are fans of noir. This is a very dark film from the early 1960’s and pushed into some new terrain for film in general.

Article: 10 Great European Neo-Noir Films

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Jessica Kiang over at Indiewire has put together a nice little list of European neo noir films. I will be adding a few of these to my queue for sure. Is there any European neo noir films that should have been mentioned that were not?

Here is a link to the full list and article:

http://blogs.indiewire.com/theplaylist/10-great-european-neo-noir-films-20160121?page=1

Review: The Steel Trap

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The Steel Trap is a classic film noir from 1952, directed and written by Andrew Stone. This was the second time that Joseph Cotten and Teresa Wright starred in a film together, following Alfred Hitchcock’s Shadow of a Doubt 9 years earlier. In Shadow of a Doubt they played uncle and niece, in Steel Trap they play a happily married couple.

Cotten plays Jim Osborne, an employee at a bank, where he has worked for 11 years and has moved up the ranks some. The beginning of the film shows him doing the same routine going to work, every day, over and over again.

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He has a crazy idea in his head that just will not go away. He keeps thinking about how he could get away with robbing the bank and not get caught. He starts studying in the library different laws and extradition rules. When he decides to do it and run to Brazil, he takes his wife with him. His wife, Laurie, played by Teresa Wright, is our barometer of all that is good.

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Cotten does a great job with the internal dialog, thinking things out and deciding what the next step is. This film really gave a sense of claustrophobia, as Jim seems to get in a deeper hole all the time and the audience roots for him to get away with the money. In the end this film asks the questions, what really makes you happy in life? and does money equal happiness?

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Without giving to much away, I really liked how this film was structured. I also liked the moral questions it proposes. I guess most things noir asks this question, but Jim has a little more to lose then some of our noir protagonists.

This is a very good film, and different enough to be entertaining and fresh. If you are a fan of either of the stars, or just a fan of classic film noir, this movie is worth your time.

 

Review: Too Late for Tears

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Too Late for Tears is a classic film noir from 1949 from director Byron Haskin. The film is based on a “Saturday Evening Post” serial and screenplay by Roy Huggins. This film had fallen into public domain and good copies of this film where hard to come by. Thanks to The  Film Noir Foundation we got a restored version that took 5 years to complete. The restored version debuted on Turner Classic Movies this summer and has been shown fairly regularly on TCM since.

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This film has two of noir fans favorites in it, Lizabeth Scott and Dan Duryea.

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This film starts with Jane Palmer(Lizabeth Scott) and her husband,
Alan Palmer played by Arthur Kennedy, driving down a back road when Jane wants to go back home. They argue and the car swerves back and forth. When they pass an oncoming car, somebody throws a bag full of money into their car.

Jane always wanting to have money, wants to keep the cash. Alan wants to give the money to the police, knowing it will cause problems. Jane talks him into keeping it for two weeks before they make a decision. Things turn worse when Danny Fuller( Dan Duryea) comes looking for his money. Things get out of hand fast for Jane, who does whatever it takes to keep the money.

Things get even more dire when Alan’s sister Kathy played by  Kristine Miller and a strange man Don played by  Don DeFore both suspect something is a miss.

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If you get a chance to see a restored copy of this film, jump on it. If you are a Lizabeth Scott fan, it is a must see. Scott’s Jane maybe one of the deadliest ladies in film noir. She isn’t just a femme fatale, using her charms to get what she wants, she is not afraid to get her hands dirty herself.

 

Review: A Lady Without Passport

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In 1950, the same year Joseph H. Lewis’ classic film noir Gun Crazy was released, he also had a lesser known film noir released, A Lady Without Passport.

This film starts out with a man hunting down another man on the street. When the hunted man is on the run, he is hit by a car. The police find some interesting clues in his pocket that lead to Cuba. This leads to John Hodiak’s  U.S. Immigration Service Agent Peter Karczag going undercover in Havana to bust a human smuggling ring.

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All things seem to be going by the book until he meets the beautiful Marianne Lorress played by Hedy Lamarr. Lorress is trying to get to America where her father is. Now Karczag is torn between helping Lorress and busting the human smugglers. Though this film tackles the subject of illegal immigration, a subject still relevant today, this is not the most complex or compelling story line. The film takes us from Havana, Cuba to some great scenes in the Florida Everglades. The shoot locations and Hedy Lamarr do make this an entertaining film.

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This is another well directed and great looking film by Joseph H. Lewis and should be watched by fans of his. If you are new to Lewis, I would start with the more classic Gun Crazy or The Big Combo from 1955.

Review: Seven Thieves

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You ever notice how two films seemingly are filmed and released at similar times with more then a passing resemblance of each other? Whether it is a film about an asteroid hitting earth or two bio pics about the same subject coming out within a few months of each other. I’m not sure if this is some weird coincidence or counter measures from rival studios. This must have been the case when in 1960, two films with similar plots and even similar names came out. Seven Thieves was released five months before Frank Sinatra’s Ocean’s Eleven. Ocean’s Eleven is a star studded comedy about a group of thieves who plan to rob a big casino. Seven Thieves is a star studded film with a more noir flavor, about a group of thieves who plan to rob a big casino.

The film starts out with Edward G. Robinson recruiting Rod Steiger for a casino heist. Steiger is reluctant, but agrees to join the group as long as he can be in charge. Robinson is the brains and money man behind this heist and agrees to Steiger’s demands. The rest of the group is not as happy about the addition.

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Part of the existing team is femme fatale Joan Collins. Her job is to seduce the man that will be able to get them into the casino.

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She is a dancer at a club and her target is her number one fan. Collins is good friends with Eli Wallach, who has taken care of her since she was young. Another noir notable is Michael Dante as the safe cracker.

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This film is based on a book by Max Catto and is directed by Henry Hathaway. This has to be influenced by the film Bob le Flambeur. If you are a fan of Ocean’s 11, but would like something a little darker, check out Seven Thieves. This film is nothing ground breaking, but is a fun movie worth watching.

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Book Review: Dog Eat Dog by Edward Bunker

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Dog Eat Dog is a novel by Edward Bunker. Bunker is an interesting character. His past involves a criminal career, a horrible childhood, a very high I.Q., becoming an author in prison and acting in some of the most classic neo noir films of the last 40 years. This book was released in 1995 and should be read by any crime fiction fan and especially any fan of noir fiction.

This story is about 3 ex-convicts who have been friends since juvenile hall. Mad Dog lives in Portland with his girlfriend and young daughter. Diesel has been working with a union in Sacramento and does the odd job for the local mob boss from time to time. He has a nice house, a wife and a brand new Mustang. Troy is our third man in this trio. Troy is a smart man that most criminals love. Troy has just got out of prison and is already got a plan in place to make some money.

This journey takes us to the underworld of Los Angeles in the 1990’s. We have drug dealers, crooked lawyers, kidnapping, murder, drug addiction and robbery just to wet your appetite for the dark corners this book goes to.

You can tell Bunker cribs from his own experience in crime for this book. There is a lot of parallels between Troy and Bunker. Bunker also covers some social issues in this book. One thing he covers is the disappearance of the middle class in Los Angeles. Something that continues to happen in many areas of the country today. Another topic is the Three Strike Law that went into effect in California in 1994, a year before this book was released. The law basically states that after your third felony you where going to go to prison for life. This book basically tells us that with this law, we are making people with two strikes willing to do anything not to go back to prison. This maybe a very good point and is something that has been changed in 2012, now it has to be a serious or violent felony for your third strike. I am no lawyer and don’t get into politics much, but for example, in one case a 2 time felon was caught stealing a set of golf clubs. He was sent to prison for life because of the 3 strike rule. Though he is a 3 time felon, and I have no idea what his previous 2 felonies are,(and he did already serve his time for those) life seems a little extreme for stealing golf clubs.

This is an amazing book and I could not put it down. Knowing a little bit about Bunker’s background made me interested in reading him. I was not expecting such a well written book. You will not be disappointed in this book! I highly recommend reading this before the movie is released later this year.

This movie could be amazing or it could be very disappointing. Lets look at the information we have so far. First off the material is second to none for a neo noir film. Second is the talent involved. Paul Schrader wrote the screenplay and is directing. His movie writing credits are some of the best neo noir films in the last 40 years. On the other hand his directing credits have been hit and miss, some are very good and some are unbelievable bad. Our main star, playing Troy is Nicolas Cage, if there is ever an actor in modern film that can be absolutely brilliant in one film and then over act and go totally campy in the next, it is Cage. Schrader promises a return to form for both him and Cage in this picture and I really hope he is right. Here is a link to a couple articles about the upcoming film:

http://deadline.com/tag/dog-eat-dog/

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One thing this film has me excited about is Willem Dafoe as Mad Dog. This casting should be worth the price of admission.

 

 

Review: The Crimson Kimono

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The Crimson Kimono is a classic film noir from writer and director Samuel Fuller. Fuller is an interesting artist that tackled some interesting topics and pushed the boundaries with his films and this one is no different.

Glen Corbett and James Shigeta play police detectives. Not only are these two partners, but also best friends. They even live in the same apartment and have fought side by side in the war. Corbett plays white detective Charlie Bancroft while Shigeta is Japanese detective Joe Kojaku. This film was released in 1959 and I don’t know if this is the first buddy cop film with a white police officer and a minority partner, but it has to be one of the earliest.

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This film starts out with a stripper being shot and killed in the street. When a painting of the stripper in her dressing room is also shot and the only lead to the case, our two detectives track down the artist. Victoria Shaw plays Chris, the artist of the painting. When both of our detectives fall in love with the lovely Chris and Chris falls in love with Joe Kojaku, the drama starts. Will our heroes be distracted by Chris? Will they solve the murder?

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Fuller dives into the Japanese culture in this film with a lot of Japanese martial arts being highlighted as well as a Japanese community parade. The big topic this film tackles is a biracial relationship. I liked how the criminal motives and Joe’s inner struggles parallel each other. The pull of love over friendship as well as Joe trying to figure out what is right and what is wrong for him and those he cares about is well portrayed.

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Fuller was a pioneer in many ways in this film, taking themes and subject matter like martial arts, minority cultures and interracial relationships and using them in a story line. Common themes we almost expect in films today, but in 1959 this had to be new to the audience.

I like this film overall, but felt the love triangle was rushed or forced at first. This could be because of editing or budget and time constraints on the film. An interesting film for those looking for for something unique to watch and fans of Fuller.

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Article: Born Under A Bad Sign-The Life of Edward Bunker

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So I just started reading Edward Bunker’s book Dog Eat Dog and can’t believe how great it is so far. Look for a book review soon. I already knew a bit about Edward Bunker, but found myself looking for a more information on this man. Most will know him from playing Mr. Blue from Reservoir Dogs. He has appeared in many other films, including Heat, Tango and Cash and Straight Time. He is a writer more then an actor and has written a hand full of novels, an autobiography along with many short stories. 2 of his books have been made into movies with a 3rd being made right now.

Charles Waring has written a great retrospective of Bunker’s life over at Crime Time well worth reading. Here is a link to that retrospective:

http://www.crimetime.co.uk/features/edwardbunker.php

2015, A Look Back at a Year in Noir

Coming off one of the best years in the genre in 2014, 2015 was a bit of a let down. With box office and critical hits Gone Girl and Nightcrawler and a cult classic in the making with surprise hit John Wick along with a crowd sourced funded return of Veronica Mars just to name a few of the highlights at the theater in 2014. 2015 really didn’t see any success at the box office for films in the neo noir genre.

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The year started out with a bang, when in January, Paul Thomas Anderson’s Inherent Vice was released. Inherent Vice was a critical success, even if it didn’t do well at the box office and was not well received by the general public, it was my favorite film of the year. Here is my review of that film:

https://everythingnoir.com/2015/06/02/review-inherent-vice/

On the same day as Inherent Vice was released, a film from Australia was released in the States. It stared an always good Ethan Hawke in a sci-fi neo-noir that will make you think. Predestination from the Spierig Brothers is a stylish film worth watching. Here is my full review of that film:

https://everythingnoir.com/2015/02/20/review-predestination/

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Though we got a lot of good small budget neo noir films this year, the stand out for me was Glass Chin. Read the full review here:

https://everythingnoir.com/2015/08/24/review-glass-chin/

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Though film didn’t have a stellar year, television did! I have not seen it yet(hope to watch it with in the next week) True Detective Season 2 sounds like it was a bit of a let down(season 1 may have been the best television season ever, 2 was bound to be a bit of a let down), other programs stepped it up.

Season 4 of Ray Donovan was the best season yet and Season 2 of Fargo was my favorite series this year.

https://everythingnoir.com/2015/10/06/article-rolling-stone-fargo-how-the-midwestern-noir-just-got-even-better/

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We also got the Breaking Bad spin-off Better Call Saul that came out in February and seems like a decade ago in a time of great television. Here was a look at Season 1:

https://everythingnoir.com/2015/04/09/review-season-1-of-better-call-saul/

One of my favorite characters was back for a short special, Luther. Here is a look at season 4 of that series:

https://everythingnoir.com/2015/12/29/review-luther-season-4/

Public Morales debuted on TNT, but got poor ratings and was cancelled after season 1. You can see how high the competition is, when this fine series only made it through one season.

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https://everythingnoir.com/2015/10/25/review-public-morals-season-1/

Gotham had another great season as well. For sci-fi neo noir fans, check out the Expanse, which as just started on SyFy. There is also a long list of television I have not got to see, but want to soon. Netflix has released Bloodlines, Daredevil and Jessica Jones while Amazon has Bosch just to name a few. It is safe to say, we are in the golden age of television.

Classic film noir fans had a great summer with The Summer of Darkness over on TCM. They also offered a college course on film noir for free. I took the class and found it very informative.

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TCM debuted a few newly restored classic films noir this summer, including Woman on the Run and Too Late for Tears. Look for a full review of Too Late for Tears soon and here is a link to the review of Woman on the Run:

https://everythingnoir.com/2015/06/24/review-women-on-the-run/

In Noir literature we had a number of big and small releases. Publishers like Hard Case Crime and All Due Respect continue to release pulp noir books worth checking out. Hard Case Crime continues to re-print the Quarry books which I have fallen in love with. All Due Respect had a couple of releases I loved including Selena by Greg Barth and Love You to a Pulp by CS Dewildt:

https://everythingnoir.com/2015/12/01/book-review-quarrys-list-by-max-allan-collins/

https://everythingnoir.com/2015/12/07/book-review-selena-by-greg-barth/

https://everythingnoir.com/2015/04/19/book-review-love-you-to-a-pulp-by-c-s-dewilt/

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We also got the second book by Rob Thomas continuing the multi-media story of Veronica Mars:

https://everythingnoir.com/2015/02/01/review-the-first-two-veronica-mars-books-the-thousand-dollar-tan-line-and-mr-kiss-and-tell/

There was a number of books that came out this year that I did not get a chance to get to(I’m not the fastest reader in the world). The Cartel by Don Winslow, World Gone By by Dennis Lehane and Where All Light Tends to Go by David Joy just to name a few.

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2016 looks to hold many new television shows, movies and books worth watching. Check back to Everythingnoir.com for the latest news and reviews as I will try and keep the noir fan abreast. What was some of your favorite noir works of the last year?