Re-Watching Pathology

April 13, 2015 bryancyr Horror, Movie, Neo-Noir Alyssa Milano, Horror, John de Lancie, Keir O'Donnell, Larry Drake, Lauren Lee Smith, Michael Weston, Milo Ventimiglia, Neo-Noir, Neveldine, Pathology, Taylor

So I was going down the list of movies classified as neo-noir on IMDb, to see if I can find any hidden gems I wasn’t aware of and to see what films I wanted to re-watch and review on this site. Quite aways down this list I noticed this movie, Pathology. I thought “I remember that movie!” I originally watched this film back in 2008 when it came out on DVD for two reasons, fairly good reviews from horror fans and it had Alyssa Milano in it. From what I remember I liked this film and thought it was an above average horror movie and Alyssa wasn’t in it as much as I would have hoped. I would have never thought of this film as a neo-noir though.

On a second viewing I wanted to see why this would be classified as neo-noir and if I would agree. So here are the elements I picked up on that would make it a neo-noir. We have a lot of shadow and washed out grey scenes that look almost black and white. There are a lot of shots filmed from a ground eye view, popular in noir. We have a femme fatale played by Lauren Lee Smith that sucks our protagonist in. Our main protagonist gets in a situation that is way over his head and very bleak. This gives us the sense of doom that all good noir movies posses. We have heinous crimes committed, though these crimes are not committed for profit like most noir. There is not a very happy ending, just like most great noir.

This story starts with a gifted doctor, our protagonist, Ted Grey played by Milo Ventimiglia. He leaves his girlfriend played by Milano to go study Pathology at an unnamed prestigious city morgue. There he meets a slightly socially awkward Ben played by Keir O’Donnell. Ben is an outcast and not accepted by the in-crowd led by Jake, played by Michael Weston and includes Smith’s femme fatale character. Ted is slowly drawn into the popular group of gifted pathologists with nights of drinking and drugs. They soon drag Ted into their sick game of killing people and then having the others in the group figure out how they did it. This is just the start of the dark journey we go on.

A few great smaller parts played by Larry Drake and John de Lancie were very entertaining. This is written by the writing team of Neveldine and Taylor who also brought us the Crank movies.

So is this film a neo-noir? I think so, it definitely has horror elements, but mostly these are because of the gore, we are dealing with people who cut dead bodies open to see why they died after all.

I think this little film is worth watching for horror fans and noir fans alike. It’s a pretty good story with a few like-able characters and a lot of unlike-able ones.

Review: Shadow on the Wall

April 12, 2015March 6, 2016 bryancyr Book, film-noir, Movie Ann Sothern, Death in the Doll's House, Gigi Perreau, Hannah Lees, John McIntire, Lawrence Bachmann, Nancy Davis, Nancy Reagan, Shadow on the Wall, Zachary Scott

Shadow on the Wall is a film noir from 1950 with star Ann Sothern. Sothern was at the end of her MGM contract and this was the second to last movie she did for them. She was around 40 and was considered over the hill in those days. Of course Sothern would prove MGM wrong and go on to success on television and even nominated for an Oscar in her last performance at the age of 78.

This film is based on a story by Hannah Lees and Lawrence Bachmann called Death in the Doll’s House.

It looks like both the movie and the book are hard to come by. I was lucky enough to catch the film on TCM.

The story has Zachary Scott playing loving father and husband coming home from 6 weeks on the road working. He soon discovers his wife is having an affair. The twist is she is having an affair with her own sister’s fiance! Scott hints at the affair in front of his sister-in-law played by Sothern and then confronts his wife. His wife knocks Scott out in the confrontation thinking she has killed her husband. At this time sister-in-law Sothern comes back to the home, her sister asks for her help thinking her husband is dead. A fight ensues and Sothern kills her sister, all while the brother-in-law and husband of the dead sister is unconscious. Scott takes the fall for the murder and Sothern goes free. The only problem is the young daughter of 6 played by Gigi Perreau may have witnessed the whole thing! Perreau goes to a children’s hospital for psychiatric help. Now Sothern has to stop her niece from remembering what really happened.

I know a little confusing but it is a web of an interesting story. The other interesting part of this noir is our main star and character is actually the killer and we know it the whole time. We just don’t know if she is going to get away with it or not, and if she does how is she going to do it? Another murder? or two?

John McIntire and Nancy Davis play great roles as the doctors trying to help the young daughter and also feel Scott is innocent and they are trying to figure out who the guilty party is. Nancy Davis maybe better known as Nancy Reagan, yes that Nancy Reagan, a role from the future First Lady.

This is a very good film noir with some interesting plot choices. Like the troubled child and our main character being a murderer. This is worth finding for noir fans as well of fans of Ann Sothern.

shadow1 — Nancy Davis(Nancy Reagan) in Shadow on the Wall

Re-watching the Classics: The French Connection

April 11, 2015April 11, 2015 bryancyr Movie, Neo-Noir Arlene Farber, Eddie Egan, Fernando Rey, Gene Hackman, Jimmy Popeye Doyle, Robin Moore, Roy Sheider, Sonny Grosso, The French Connection, Tony Lo Bianco, William Friedkin

The French Connection is a Best Picture winner, directed by William Friedkin who also won Best Director. This is based on a book by Robin Moore about one of the biggest heroin busts in New York history. Eddie Egan and Sonny Grosso are the two narcotics cops who in real life where the center of the investigation. They both play small roles in the film. The two cops are played by Gene Hackman as Jimmy “Popeye” Doyle and Roy Scheider as Buddy Russo. Fernando Rey plays our head French bad guy.

The film starts out with our two heroes working undercover, Popeye dressed as a Santa Claus, chase and bust a small time drug dealer. He is questioned and talks about a huge shipment coming to New York soon. They soon find themselves following Sal and Angie Boca (played by Tony Lo Bianco and Arlene Farber) who they believe is part of the huge shipment. We see our heroes using informants and help from the DEA to get to the bottom of the case.

This film has a couple of classic scenes, one is the infamous car chase that is considered one of the best ever. Soon after this scene is one in which Popeye shoots a man in the back. This scene was not liked by police officers of the time but was approved by Eddie Egan who was on the set. When first viewed by audiences they loved the scene. This ended up on the poster for the film.

This film is often put in “Top 100 Movies of All Time” lists and is a classic by anybody’s standards. I liked this film the first time I seen it 20 some years ago, and also liked it this time. I don’t put this in my top 100 films of all time, but it is worth watching. It is a must see for film fans of any kind, whether you are a neo-noir or crime movie fan or not. This movie is followed by a sequel with Popeye Doyle going to France and also a spin-off with Roy Scheider playing a version of his character called The Seven-Ups. I have not seen either of these yet.

Favorite Tidbit: The popular Popeye’s Chicken restaurant chain is named after Popeye Doyle.

Review: The Gambler and the Lady

April 10, 2015April 10, 2015 bryancyr film-noir, Movie Dane Clark, Film Noir, Hammer Studios, Naomi Chance, Sam Newfield, The Gambler and the Lady

The Gambler and the Lady is a film noir from 1952 by Hammer Studios in Britain. Hammer is better known for making horror movies, but they did make quite a few noir films as well. Dane Clark is an American actor who appeared in a few of these films.

Sam Newfield wrote this film and directed part of it. He was a prolific B movie director with 277 films to his credit.

We start with Clark fleeing from America for a fresh start in Britain. He has a rags to riches story and soon owns a night club, a race horse, an illegal gambling game, and manages a boxer. All gained on smart gambling moves, some not exactly legal. He has one dream though, he wants to be part of the upper crust, rub elbows with the Dukes and Earls of England. He is also currently dating the dancer from his night club, but that is on the rocks. He also has to worry about a global illegal gambling gang moving in on his territory. Clark also falls for the Lady Susan played by Naomi Chance one night in his night club. All this crisscross into an interesting story that leaves our hero digging himself a deeper and deeper hole.

This is not a classic noir, but is very interesting and fun to watch for noir fans or fans of Dane Clark.

Review: Lured

April 8, 2015April 8, 2015 bryancyr film-noir, Movie Boris Karloff, Charles Coburn, Douglas Sirk, Film Noir, George Sanders, Lucille Ball, Lured

Lured is a film noir from 1947 directed by Douglas Sirk. This is based on the 1939 French film, Personal Column. This has two legendary stars, both not well-known for their noir films. Lucille Ball known more for her comedy and Boris Karloff for his horror films. Though Ball shows some humor in this and Karloff plays an insane artist that is scary at times this is not the norm for our stars.

Ball plays Sandra who is a dancer from New York that is stranded in London after the show she was in goes bust. Her friend goes missing and she goes to Scotland Yard with a personal ad from the news paper that her friend answered shortly before her disappearance. Charles Coburn plays an Inspector that recruits Ball to work undercover to find the “Poet Killer.” Ball has many strange run ins answering personal ads trying to find the killer. We have many suspects including Karloff. Ball also falls for rich night club owner Robert Fleming played by George Sanders. We have many red herrings and suspects to choose from and the audience doesn’t know who the serial killer is until near the end of the film.

I got to admit I’ve never been a big Lucille Ball fan. With this movie and The Dark Corner (which I hope to re-watch and review later) I really wish she would have done more films like this. She was a very talented dramatic actress with enough charisma to hold her own on the big screen. In this film she plays a beautiful dancer that everybody likes or loves, and you can see why. Ball plays a witty and smart character as she ranges from being scared to death to falling in love and you totally buy it.

If you can suspend your reality and get past Scotland Yard recruiting and hiring an American dancer to go undercover based on a 5 minute conversions you should enjoy this film. If you are hesitating to watch this because you don’t see Ball or Karloff in noir, don’t be. Very good movie worth a watch.

Review: Where the Truth Lies

April 6, 2015April 7, 2015 bryancyr Movie, Neo-Noir Alison Lohman, Atom Egoyan, Colin Firth, Kevin Bacon, Neo-Noir, Rachel Blanchard, Rupert Holmes, Where the Truth Lies

Where the Truth Lies is a movie based on a book by Rupert Holmes. Holmes is a bit of a talent, he writes mystery-thriller books like this one(I have not read any of his work), He has written plays and won Tony awards for doing so. He’s produced music for the likes of Barbra Streisand. He’s written songs for the likes of The Drifters and The Platters. He wrote the short but well liked television sitcom Remember WENN. Oh yeah and he’s written and sang his own material, you might know him for a little song Escape (The Pina Colada Song). So he is a talented entertainer in a lot of ways, he has had success in every field of entertainment. But can he write a great noir that translates to a great neo noir film?

The Canadian Director Atom Egoyan wrote this screenplay and directed it. I really like his films and he has made a few really good neo-noir films in his career.

This cast is pretty amazing, especially looking at where some of them are 10 years later. This film stars Kevin Bacon and Colin Firth as a Jerry Lewis, Dean Martin type duo. Firth has gone on to win an Oscar for The King’s Speech and has become quite the star. We have two femme fatale’s in this movie, Maureen played by Rachel Blanchard, who has shown up on the very good Fargo television series. The second femme fatale is Karen played by Alison Lohman who has done some amazing work but seems to have gotten married in 2009 and has disappeared from the movies. Anybody know why she hasn’t been in anything lately?

This film starts out with our showbiz duo doing a telethon but we realize something is a miss right away. Our team has a love/hate relationship for sure. We than find our first femme fatale Maureen in a hotel room tub full of ice and long dead. We than flash forward to our second femme fatale Karen who is a journalist and is writing a book about our entertainment team with an emphasis on the incident of the dead girl. We continue flashing back and forward as Karen tries to find out what really happened that fateful night to Maureen. Is she to close to the story? Will the same fate fall on her? Will she find out how Maureen died and why?

Favorite Tidbit: Egoyan made many cuts to this to get it an R rating instead of the NC-17 rating, he failed. It was later learned that the cut of the film American audiences eventually saw was the same cut that premiered at Cannes.

I really enjoyed this film as I have most of Egoyan’s films. If you like your neo-noir on the thriller, murder mystery side, you will like this film. Give it a try if you have not seen it yet.

Review: Highway 301

April 5, 2015April 5, 2015 bryancyr film-noir, Movie Andrew L. Stone, Edmon Ryan, Film Noir, Gaby Andre, Highway 301, Steve Cochran, Virginia Grey

What are we suppose to do? Sit here like mummies?

Why don’t you do something about your face, that should keep you busy for a couple of hours.

This is a great couple lines of dialog from this B-movie from Warner Brothers.

This film is titled after the highway that ran through the three states of Maryland, Virginia and North Carolina. This gave us the name Tri-State Gang for our group of bank robbers.

When I started watching this, we had the Governors of all three states talking to you about how crime doesn’t pay. This gave me the impression this was going to be a docudrama type film like G-men, and it was to a certain degree. I felt G-men was a recruiting ad for the F.B.I. and thought we where in for the same kind of thing here. Instead it focuses on the criminal gang, and then goes to show you how crime does pay! It’s like an instructional movie on how to rob a bank at the time and get away with it! The way crime doesn’t pay in this movie, isn’t the police or F.B.I. catching you it’s your fellow bank robbers and the women who love them that trip them up.

The one thing about this film that kind of shocked me, is the violence this gang uses. The killing of innocent people and murdering people with big mouths in broad daylight in front of witnesses was surprising to me. The ending also seemed very violent for a film from 1950.

This film is written and directed by Andrew L. Stone who wrote and directed many film noir’s in his career. George is our main baddie and is played wonderfully by Steve Cochran. You hate him the whole movie!

Gaby Andre plays our second female victim of George and is the only character we feel some sadness for. Virginia Grey plays another of the girls in the gang who seems to be caught in a web of lies. Our detective on the case narrates the story of our gang and how he finally caught them. The detective is played by Edmon Ryan.

The story of this film shows the Tri-State Gang pull off a successful bank robbery and then a not so successful armored car robbery. We soon meet the ladies that love the gang and one talks a little too much at a night club and things start to unravel for the gang.

This movie has flashes of brilliance and is a good little B-movie noir and worth a view for hardcore noir fans, and we learn “Don’t dance with strangers or talk to anyone with a mustache.”

Favorite Tidbit: There looks to be a real Tri-State Gang in the 1930’s, not sure how much of the movie is based on fact, but it looks like 3 of the Gang where eventually sentenced to death.

Review: Cult Classic-The Town That Dreaded Sundown

April 4, 2015April 4, 2015 bryancyr Horror, Movie, True Crime Andrew Prine, Ben Johnson, Charles B. Pierce, Cult Classic, The Town That Dreaded Sundown

This 1976 movie The Town That Dreaded Sundown is a film about a serial killer that terrorized the town of Texarkana. This is based on a true story and was a series of crimes that where never solved. I can’t help but see many similarities between this case and movie to the case and movie of Zodiac. I reviewed Zodiac here:

https://everythingnoir.com/2015/02/26/re-watching-zodiac/

This film is not the best acted, minus a few good performances from Ben Johnson and Andrew Prine.

This film has a cult following, usually among horror fans, and you can’t help but think this film may have been made to cash in on the Texas Chainsaw Massacre hype that came out 2 years before. Though there is some terrifying scenes in this, the overall tone is more of a serial killer hunted by our main characters of detectives and a famous Texas Ranger. There is also some comic moments, these didn’t really work for me and I feel took away from the movie. Most of these comedic scenes come from the director himself, Charles B. Pierce that also plays the bumbling rookie “Spark plug.”

The story starts out with a couple out on lover’s lane who are attacked by a masked man. Then a few weeks later a similar crime is committed, bringing the town to a panic. They bring in a Texas Ranger to help with the case and our story continues from there.

Though the film is based on real events, it does take many liberties with the story. None of the murders or crime scenes are very accurate, and the few close run ins between the law and the phantom killer never happened. The number of crimes and basic time frame is fairly accurate. To this day, the crimes have never been solved.

This has become a cult classic over the years and is looked at as one of the early slasher movies that would start a trend continued by Halloween and Friday the 13th. It also was released on VHS back in the mid 80’s and was not put out on DVD until 2013, making it a hard film to find and watch. This seemed to give it more cult status.

There is also a remake/sequel that was recently made and I have not seen it. It looks like that film is more of a straight up horror movie.

The film is a slightly above average drive-in movie from the 70’s and is worth watching if you are a fan of slasher movies or of 70’s horror. I think it will appeal to those who love true crime stories as well. Though it does have some noir elements, like the voice over docudrama style and it takes place soon after World War II in the 1940’s, I don’t think hardcore film noir fans will like it, especially if they are expecting a traditional neo-noir. Personally I felt it was more a cheap neo-noir then it is a horror movie and is something different to watch on a boring Sunday afternoon.

Review: Whiplash

April 3, 2015April 3, 2015 bryancyr film-noir, Movie Alexis Smith, Dane Clark, Eve Arden, Film Noir, Lewis Seiler, Noir, Zachary Scott

“I’m not exactly beautiful, but I am available. I’m kind to my mother and I make very good spaghetti”.

“Sorry I don’t like spaghetti.”

That is a couple of lines of dialog in Whiplash, and there are a few more gems in this little known noir.

This is directed by Lewis Seiler who looks to have directed quite a few films throughout his career though this is the only one I’ve seen.

This movie starts out with our hero played by Dane Clark in a boxing bout in New York City and getting beat pretty handily. He has an inner dialog with himself asking why is he here? What is he doing? He just wants to be back home in California on the beach. In film noir fashion we flashback to a better time in California,with our hero painting a beach scene. He soon finds out one of his paintings has been sold and he thinks the buyer has been ripped off. Our hero doesn’t feel he has enough talent for his paintings to be sold. He hunts down the buyer and soon falls in love with her. Our buyer is also our femme fatale, Laurie, played by Alexis Smith. They fall in love and all is great, until Laurie turns up missing and our hero’s only clue is the painting she bought of his is being sent to a doctor in New York City. Our hero packs up and goes to New York to find his lost love.

When in New York we discover a plethora of new characters. Including Laurie’s husband, an ex-fighter who is now a promoter played by Zachary Scott. An alcoholic doctor played by Jeffrey Lynn. We also get some comic relief from fellow artist played by Eve Arden (from Grease fame).

This film has some more of noir’s favorite sport, boxing, we have a love triangle between our hero, our femme fatale and a fallen hero doing anything he can to get back to the top. This film has not been viewed a lot and maybe a little undervalued. I found this film to be pretty good. With only 200 votes on IMDb and a current rating of 6.4 it is a little underrated.

This film will be enjoyed by film noir fans and boxing fans alike. Worth a viewing if you get a chance.

Review: Go For Sisters

April 1, 2015April 1, 2015 bryancyr Movie, Neo-Noir Border Noir, Edward James Olmos, Go for Sisters, Harold Perrineau, Hector Elizondo, Isaiah Washington, John Sayles, LisaGay Hamilton, Lone Star, Neo-Noir, Yolonda Ross

Go for Sisters is a neo-noir from writer, director John Sayles. Sayles directed a few big budget Hollywood films and then went on to make independent films. He may be best known in noir and neo-noir circles for Lone Star. I plan on re-watching and reviewing it in the future.

This film stars LisaGay Hamilton, Yolonda Ross and Edward James Olmos with a few familiar faces in small cameos like Isaiah Washington,Harold Perrineau and Hector Elizondo.

This movie starts with Hamilton as a parole officer and one of her paroles is Ross, who we soon find out where childhood friends. Hamilton has become estranged from her son, with no way to contact him anymore. In her search for him, she goes to one of her son’s friends, Fuzzy, to see if he has seen her son. We find Fuzzy has been murdered and soon find out her son is a suspect. Hamilton recruits her childhood friend Ross to help her find her son. They then hire Olmos, a ex-officer who has been terminated from his job and has lost his pension. He needs funds and is willing to help our two ladies for a price. The story crosses from Texas to Mexico where things really get dark with adult book stores, dirty cops, a China town in Mexico, and some illegal border crossing.

This border noir debuted at South by Southwest in Austin back in 2013 and made the film festival circuit but never really found an audience. It got above average reviews from critics and was nominated for a few awards, including the Independent Spirit Award for Supporting Actress for Ross. The film has recently been released on DVD and should find a wider audience.

For me this film was a little long at almost 2 hours for the story it tells. It’s a good film and is worth viewing, but don’t expect something as great as Lone Star.