World War II-Set Neo-Noir ‘Shanghai’ Finally Gets U.S. Release

bryancyr:

Finally!

Originally posted on Deadline:

Five years after it bowed in China, Shanghai, director Mikael Håfström’s neo-noir set during the Japanese occupation of China in World War II, will finally see theatrical release in the United States, The Weinstein Company has announced. Though it hit Chinese theaters in the summer of 2010, the film has never been released stateside; TWC is giving it a limited theatrical run starting August 21, 2015.

The film follows American Naval intelligence agent Paul (John Cusack), who visits the city in December, 1941 to investigate the murder of his friend Connor (Jeffrey Dean Morgan). His investigation leads to involvement with both Japanese occupying authorities and with the Chinese resistance, culminating in a deadly confrontation just as the Pearl Harbor attack draws the United States into the war. Along with Cusack and Morgan, Gong Li, Chow Yun-Fat, David Morse, Ken Watanabe, and Franka Potente also star.

Written by Hossein Amini…

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Review: The Unfaithful

The Unfaithful is a classic film noir from 1947 directed by Vincent Sherman. The writing team on this film is the real story here. We have David Goodis teaming up with James Gunn for the screenplay. This is loosely based on the novel, The Letter by W. Somerset Maugham. Yes, that’s right, this is based on the same material as The Letter starring Bette Davis,which came out just 7 years earlier. Maugham was not given a writing credit for this film and the setting is moved from a rubber plantation to the urban setting of Los Angeles.

This film revolves around Ann Sheridan, who plays Chris Hunter. Chris is married to Bob Hunter, played Zachary Scott, who is a war veteran and is now a business man in the housing business. He is out-of-town as our film starts, showing Chris on the phone with Bob as they make plans for the next morning when Bob comes home from Portland. Chris tells Bob she will be going to a divorce party for Bob’s cousin, Paula, played by Eve Arden. The party highlights Paula being proud of her new-found freedom, and everybody seems to be having a great time. Chris heads home in the middle of the night and as she opens her front door a shadowy character grabs her and shoves her in the house. As the viewer we witness the struggle through curtained windows and cannot tell exactly what is happening. Bob flies home and is confused when his wife is not at the airport to meet him. He calls home and soon grabs a taxi to rush to his house. He finds the police are there as well as his friend and lawyer, played by Lew Ayres. The dead body still sits on the floor of the home as the investigation continues. Chris is obviously distressed as she tells her story of self-defense. As our story continues we learn more about the victim and why he may have been there. Was this self-defense? Will Chris and Bob’s marriage survive this?

It seemed to me that this film is more than a mystery noir, but a real look at Post-War marriage. This shows a woman who was living by herself for two years while her husband was in the Pacific. The question this film asks is, can what happens in those two years forgivable? Should the couple even tell each other what happened in those two years? Can a good marriage survive anything? We see one divorce at the beginning of the film showing a strong woman willing to go on in life by herself. I took Eve Arden’s character as a strong feminist, especially for the 1940’s, I would be interested in learning if the writers intended this or if she was to be perceived as something else.

The other thing that stood out to me is another great performance from Ann Sheridan. She really is hard to read in this film as our loyalty to her shifts from poor victim to murderer and back again a number of times. In the end do we really learn the truth? Is she just another evil femme fatale or is she the victim of circumstance?

This film is a must see for fans of Ann Sheridan and would make for an interesting double feature with The Letter from 1940. I have not seen The Letter in a while, so I will not try to comment of the similarities and differences at this time.

Article: The Father of ‘Tartan Noir’

Here is an interesting article on William McIlvanney and his Laidlaw books. I don’t know much about McIlvanney or these books, but this article made me want to read them soon.

Written by Allan Massie for the Wall Street Journal it is worth reading. Here is the link to the full article:

http://www.wsj.com/articles/the-father-of-tartan-noir-1437772631

Review: House of Games

David Mamet’s directorial debut is House of Games, a classic neo noir from 1987. Mamet has made some amazing neo noir films through out his career and this first one definitely qualifies.

This film starts out with Margaret Ford, played by Lindsay Crouse(Mamet’s wife at the time). Ford is a psychiatrist and author who is fairly well-known from her book. We see this in the opening scene when she is approached by a stranger who turns out to be a fan that wants her book signed. We see Ford meet with a patient in prison and a friend and colleague at a restaurant. This shows how busy and driven she is. She then meets a patient in her office who has a gambling addiction. He states he owes a bookie $25,000 and if he doesn’t pay by tomorrow, they are going to kill him. Ford goes to meet the bookie named Mike at a pool hall called House of Games. She meets Mike played by Joe Mantegna who is charming and said her patient owes him $800, not $25,000. He offers to forgive the debt if she helps him in a poker game. She does and soon the games begin. Mike is a con man and Ford is fascinated by him and his crew. She decides she would like to follow them around and learn from them for a new book project.

The twists and turns continue in one entertaining scene after another. Mamet’s usual gang of actors make appearances throughout the film like Ricky Jay and William H. Macy.

This film was suppose to be a big budget film with bigger stars, but Mamet decided to direct himself and use his wife and friends as the actors instead. Given that, distributor Orion only released the film in 4 theaters and it basically went straight to video and a television release. Over the years it has found an audience and even received a Criterion DVD release. This film is worth your time if you are a fan of film in general. It is a unique experience where you feel your watching a live play rather than a film in some sense. The language and conversation between the characters is precise and unique. The plot seems to be a very tight con man story,  until the very end where everything falls apart and feels very real.

Favorite Tidbit: This film has already been remade twice! One from Hong Kong and one from India. I have not seen either of these, but it would be interesting to compare all three.

50 International Film Noir Classics That Everyone Should See

bryancyr:

I’ve only seen a handful of these films and only heard of about half of them. I look forward to seeing a bunch of these films in the future.

Originally posted on Flavorwire:

We’ve been spending our summer with private eyes, femmes fatales, and shady gangsters while studying the classic film noir canon with TCM (see our “Into the Darkness” course study group to join in). This week, MoMA will kick off another noir celebration with their Mexico at Midnight film series, highlighting the “ciné negro” from our friends down South.

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News: David Fincher’s STRANGERS ON A TRAIN Remake Not Happening Anytime Soon

So for better or for worse, the Strangers on a Train remake is put on hold for now. I was actually looking forward to this one, if anybody was going to remake this classic, this is the team to do it. On the other hand we are getting some good neo noir projects from the team in the meantime. Ben Affleck will be working on Live by Night based on the Dennis Lehane noir book. He will also be working on a new Batman stand alone film, hopefully in the noir tradition of past Batman projects. David Fincher and Gillian Flynn will be working together again on a H.B.O. series Utopia, which sounds like a great sci-fi neo noir series. Flynn will also be working on Widows, a television series about mob widows.

Though this project may or may not see production anytime soon, the projects this threesome are working on sound promising. Do you think a remake is a good idea? Could you pick a better threesome to make it?

Here is the full article written by Adam Chitwood over at Collider:

http://collider.com/david-fincher-strangers-on-a-train-remake-delayed-ben-affleck/