Review: The Bird with the Crystal Plumage


The Bird with the Crystal Plumage is “The Italian Hitchcock” Dario Argento’s very first film. This film was a big hit and put “Giallo” films on the map. I don’t know much about these films, but find them simiular to America’s classic film noir period. These films are called Giallo because many are based on the cheap pulp books, most translations of English mystery books. These books are called Giallo because of the yellow covers most of them had. The French called these books noir, The Italian’s called them Giallo. In fact the first Giallo novel to be adapted was James M. Cain’s The Postman Always Rings Twice, adapted in 1943 by Luchino Visconti as Ossessione. Giallo films became popular in the late 1960’s and peaked in the early 1970’s. They have a lot of the same tropes as noir, but add a few of there own. They seem to bridge the gap between film noir and horror.

Dario Argento maybe the most famous director of this kind of film and has transitioned to more films that would be considered horror over the years. In this film Argento seems to take noir films, add some Hitchcockian elements and throw in a more violent, horror element during the murder scenes and you have the bases for this film and Giallo films to come.


This film starts with an American writer in Italy, played by Tony Musante. He is about to go back to America with his beautiful girlfriend, played by Suzy Kendall. On his way home one night he witnesses an attempted murder in an art gallery. As he tries to enter the gallery he gets stuck between the two glass doors as the murderer locks him in as the murderer escapes out the back. He signals a man who calls the police, the police come and save the victim. The police question our American writer and take his passport so he cannot leave the country as planned. Soon he starts his own investigation and seems to be encouraged by the Italian police to do so. This leads him on a twisted trail of clues to find the killer. The killer has already struck before and seems to be targeting beautiful young women. Can our hero find the killer before they can get to his girlfriend? Will he get out of the country alive?


This film has some interesting smaller characters that are discovered along the investigation. Argento has always been one of those directors that has interested me. It seems like he can make some brilliant films along with some that are best watched by those that like cheap horror films.

This one is beautifully shot and makes for a good neo noir film. It is a good place to start for those that are curious about Argento’s films. Suspiria is maybe his best known film and if you are a fan of good horror films, this is a must see. If you are not a fan of horror start with this film.


Favorite Tidbit: The Bird with the Crystal Plumage is an uncredited adaptation of Fredric Brown’s novel The Screaming Mimi. There is a American classic film noir based on this book from 1958 called The Screaming Mimi. I have not seen this film yet, but would like to watch it and compare the two films.


Review: The Last Run

The Last Run is a neo noir film from 1971. It stars George C. Scott a year after his Academy Award Winning performance in Patton. When asked why he made this movie he said  “I’m doing it because it reminds me of old Bogart pictures.” This film originally started out being directed by the man who made Bogart famous, John Huston. After constant fighting with Scott, Huston quite the film. Richard Fleischer took over as director and the films original leading lady was fired and Trish Van Devere replaced her. Interestingly Scott’s wife at the time Colleen Dewhurst had a small role in this film. Her and Scott’s marriage was pretty much over by this time. Scott would go on to marry his new co-star Devere a year later.

Scott plays a retired mob driver, who takes a job after his wife has left him. We are left in the dark on what this job is, but we know he needs to drive across the border into France. Soon there is a daring escape when a wrecked truck explodes and a prisoner runs to Scott’s 1957 BMW convertible. This escaped prisoner is played by Tony Musante. Musante demands a detour from their intended path to pick up his girlfriend played by Devere. When Scott delivers the couple to his employers, Musante tips Scott off that something is wrong. Scott rescues the couple from sure death and our trio’s adventure begins. We learn a little more about our trio’s history and a love triangle of sorts begins. Will our three make a clean escape? Who will our girl choice?

This film bombed at the box office and was not well received at the time by critics. Not sure why, maybe critics and audiences were looking for something different from the current Academy Award winner. I enjoyed this film for what it is, a simple neo noir with some good performances, an interesting, mysterious plot, and some great car chases. If you are a fan of Scott or other neo noir film of the early 1970’s I think you will enjoy this film.