Review: The Mask of Dimitrios

The Mask of Dimitrios is a film noir from 1944 with the dynamic noir duo of  Peter Lorre and Sydney Greenstreet. This is the first feature film of director Jean Negulesco. Negulesco was slated to direct the Maltese Falcon in 1941, but was soon replaced by John Huston. He finally got his big break with this film and went on to a great career as a director in Hollywood. He also teamed up with Lorre and Greenstreet for a few more films. This is also the first film of Zachary Scott. This movie is based on the book A Coffin for Dimitrios by Eric Ambler.

Our story starts with a dead body washing up on shore in Turkey. This body is identified to be Dimitrios Makropoulos,a slick criminal that Colonel Haki has taken special interest in. Haki is played by Kurt Katch in this film. Colonel Haki in this film is the same character played by Orson Welles in Journey Into Fear a year earlier. I reviewed Journey Into Fear here:

https://everythingnoir.com/2015/06/26/review-journey-into-fear/

Haki tells Cornelius Leyden, played by Lorre, a time line of Dimitrios’ crimes and past locations. Leyden is an author of detective stories and is intrigued by Dimitrios’ story and decides to further investigate him for a future book. As Leyden starts his investigation at the records office in Greece we soon see Mr. Peters…or is it Mr. Peterson? played by Greenstreet following Leyden. They soon meet on a train as Mr. Peters tells Leyden where to stay at his next stop. This film also uses flashback scenes to tell Dimitrios’ story as Leyden learns more and more about him. The mystery grows as we learn more about Dimitrios’ past. Will we find the connection between Mr. Peters and Dimitrios? Will we find out how Dimitrios died and why? Will Leyden get the story he wants for his next book?

This film has a pretty interesting story and hooks you as you want to learn more. I have to say though, my favorite parts of this film are the scenes of simple conversation between the two leads. Greenstreet and Lorre are two great actors and how they deliver their lines and interact with each other are some of the best I have ever seen. I can see why they where teamed up for 9 films together.

Zachary Scott is also very good as the title character, playing a smart charming criminal and spy.

The Mask of Dinitrios is a film noir I never really heard about until TCM’s Summer of Darkness. I liked the two leads in the Maltese Falcon and other films and was intrigued. This was a big hit when it was released in 1944 and not sure why it is not talked about more these days. This film is amazing and worth seeing for any classic film lover. If you are a fan of any of the three leads, and who isn’t?, you will love this film.

Favorite Tidbit: The character Dimitrios Makropoulos is inspired by Basil Zaharoff, a Greek-born arms dealer who became one of the richest man in the world and was known as “merchant of death” and “mystery man of Europe.”

Review: Journey Into Fear

Journey Into Fear is a classic film noir from 1943 from Orson Welles. Welles didn’t direct this, Norman Foster did. Welles didn’t write the screenplay, he had the star of the film, Joseph Cotten do that. He does have a small role in this film, but isn’t on the screen that long. He doesn’t even have a producing credit for this film. So why do most consider this a Orson Welles film? Well, though he gave out the brunt of the work to others, he really did produce it, he also helped Cotten write the screenplay based on the book by Eric Ambler and he even re-shoot a new beginning and ending for the film. He just gave full credit to those he hired to do the job. This story follows ammunition engineer Howard Graham, played by Cotten, in Turkey on business during World War II. He meets with the Turkey business representative for his company and leaves his wife, played by Ruth Warrick at the hotel. Him and the business rep go down the street to a night club where we meet a dance couple played by Dolores del Rio and Jack Durant. Graham is also volunteered against his will to participate in a magic trick. Graham is strapped to a board as the magician gets into a box. The lights go out and a gun shot rings out in the crowd. The lights come on and the magician is strapped to the board with a gun shot wound and Graham emerges from the box. Graham knows right away that he was the intended target, as he and the rest of the club are sent to see Colonel Haki played by Welles to determine what really happened. Haki puts our hero on a boat that night to hide him from the German’s who are trying to kill him. We meet a whole other assortment of odd characters on the ship. Including the unhappy Matthews couple played by Frank Readick and the always good Agnes Moorehead. Our dancing couple is also on the ship and del Rio really takes a liking to our hero.  Graham soon realizes the Nazi’s have made their way aboard the ship as we get a claustrophobic feeling of impending doom. Will our hero get off the ship safely? Will he ever re-unite with his wife? One of my favorite performances of this film is the silent killer played by Jack Moss. He was a successful movie producer at the time and Welles wanted to use him as the killer in this film. He said he would do it if he didn’t have to speak. He didn’t and was as menacing as any killer in a 70’s slasher film. The opening scene, with a totally silent Jack Moss really grabs your attention and set the tone and mood for the rest of the film. It is a shame this is Moss’ only on-screen role. I would have loved to see him in more stuff. This film was not well received on its release. Welles even has said he was not happy with the film and he had a horrible performance as an actor in it. That being said it was an important early noir film in style and story. I actually really liked this film, even more than some of Welles’ other more regarded works. Favorite Tidbit: Though most everybody was not happy with this film, from the studio to Welles himself. The one person that was very happy with this film was the author of the book, Eric Ambler. He said the movie was so different from his book, that he could re-sell the rights to the book to a different studio and make some more money on it.