Year: 2015

Review: Night Moves

bryancyr Movie, Neo-Noir , , , , , , ,

“Who’s wining?”

“Nobody, one side is just losing slower than the other.”

This movie is a neo noir staring Gene Hackman in all his 1970’s glory.  It has it all, the 16-year-old Lolita, the young rebel mechanic boyfriend, the aging starlet, the Hollywood stuntman, the unhappy wife and of course the ex-football player turned hardboiled private detective.  We also have some classic film noir dialog, updated for a 1970’s audience.  How about this zinger?

“What happened to your face?”

“I won second place in a fight.”

Or this great line from one of our female leads.

“Your are kind of edgy, aren’t you?”

“It’s the heat and the low wages.”

The settings are classic film noir locations, we start out in Los Angles and then go head to the Florida Keys.  We have a young James Woods just getting his career started and a 16 year oldish Melanie Griffith making her film debut.  All directed by Arthur Penn.

So with all of this, why isn’t this picture better known?  TCM’s Ben Markowitz said “This is the best movie you have never seen.”  I’m not sure why, this film just came on my radar earlier this year, and I’m glad I got to view it.

Our story starts with our private detective played by Hackman getting hired by our aging starlet to find her step-daughter(Griffin).  He is also having problems with his marriage, his wife is played by Susan Clark.  His investigation takes him into the world of Hollywood movies and stuntmen.  The case eventually takes him to the Florida Keys and he meets our real femme fatale of the film played by Jennifer Warren.  We also find the step daughter here, us as the audience and our hero believe she is our femme fatale, but she is still just in training and doesn’t fool our hero. The three see the scary remnants of a boat wreck which scares our step-daughter and she willingly goes back to California with our hero.  Our hero thinks the case is closed, but it is only getting started.

Gene Hackman was one of the biggest stars in the 1970’s, starting the decade out with The French Connection and ending it with Superman.  Check out my review of The French Connection here:

https://everythingnoir.com/2015/04/11/re-watching-the-classics-the-french-connection-2/

He also was in a handful of other box office successes and classic films from the decade.  This is right up there with some of his best, but seems to have gotten lost in the shuffle.  I thoroughly enjoyed it, and I think classic film noir buffs and noir fans in general will too.  If you’re fans of Hackman, it’s a must see and if you want to see a young Melanie Griffith or James Wood it’s worth a viewing.

Review: Macao

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Macao started out being directed by Josef von Sternberg but was finished up by Nicholas Ray.  Howard Hughes had his hand in making this film so a great many people were fired and hired on the writing staff and of course the original director.  It’s a miracle this film came out as good as it did.

Our story starts out with a New York police officer being killed in Macao, by getting a knife to the back.  We then meet our femme fatale Jane Russell in a ship cabin with a man who starts to get a little aggressive with her.  Robert Mitchum comes in to save the day.  Russell moves on and soon meets a traveling salesmen played by William Bendix.  Soon the three hit it off as they are on their way to Macao.  Mitchum discovers he has lost his wallet, as it was stolen by Russell.  She takes the money and dumps the wallet.  Our threesome come into the Macao port and Mitchum must report to the local police because he has no passport or identification.  The police officer is working with casino owner played by Brad Dexter and they both think Mitchum is telling a story and is really another cop from New York.  The casino becomes the center in which our 4 characters revolve, with Russell getting a job there as a singer.  We also meet Gloria Grahame as our casino owners girlfriend.  Nobody is what they seem and the plot has some interesting twists all the way to the end.

This film has a lot of star power and an unique setting for a classic film noir.  This gives us a really cool look at 1950’s Macao and gives us an interesting story to follow.  This is a fun film noir and worth a viewing for noir fans.  If you love any of the stars, you will like this film. This isn’t the best noir with Mitchum, but I haven’t seen any bad noirs with Mitchum either.

Review: A Girl Walks Home Alone at Night

bryancyr Horror, Movie, Neo-Noir , , , , , , , , ,

This movie is a spaghetti western, horror, romance, fairy tale, neo-noir, Iranian vampire movie filmed in California!?!?!  This film is a stew of classic film ingredients by first time director and writer Ana Lily Amirpour.  I really look forward to seeing more from her, what a great eye in filming and what an original intriguing story.

I seen this just based on the buzz and did not know much about this going in.  I really thought it was just a well done horror movie worth seeing.  Then I put the Blu-Ray in and was totally surprised.  I did not plan to review this for this site, until I watched it and seen more than a few simple nods to the classic film noir era.  This film has a timeless feel to it, there is a 1950’s Thunderbird, classic oil wells and factories, and timeless clothing that could fit into almost any time frame. We do have fake posters of 1980’s pop stars on the wall and our soundtrack has music from the 2000’s. If you didn’t know better you could think this was filmed in the 1950’s as easily as filmed in the 2010’s.

Sheila Vand plays The Girl and Arash Marandi gives us his best James Dean playing Arash for our two leads.  We don’t have to many characters confusing the plot here.  Marshall Manesh plays Arash’s junkie father, Mozhan Marnò plays the local prostitute, Dominic Rains as a drug dealer, and Rome Shadanloo as the little rich girl.

This movie has a lot of symbolism and references to other films, this may be all subjective and you will find things I may not and you may not agree with what I felt I seen.  That is what makes this such a great film.

Our story starts with Arash getting in to his car and drives home.  We see his Dad shooting up with drugs.  Our drug dealer enters the house and wants paid.  He takes Arash’s car for the debt.  Our drug dealer soon picks up our prostitute in his new ride and later picks up The Girl.  He takes her back to his house and soon The Girl reveals she is a vampire and kills the drug dealer.  On her way out of the house she pass Arash, going in to try to get his car back.  Arash finds the body and takes the drug suppl and gets his keys to his car back.  Our romance starts as well as we go deeper into our story from here.

For noir fans, the plot is deep in the crime world of Bad City and has some great noir nods, like a femme fatale, she just happens to be a vampire.  If your a film noir fan and don’t like vampires, you will still love the cinematography!  A couple stills from the film that shows a taste of this:

So this film is for anybody who wants to see something new and fresh and original no matter what kind of movies you like.  This basically covers every genre out there and has something for everybody.  Go enjoy this film as soon as you can!

Review: Danger Signal

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Danger Signal is a classic film noir from 1945 starring Faye Emerson as our femme fatale, or is she?  With Zachary Scott as our protagonist.   Robert Florey directs and looks to have directed not only some crime dramas and film noirs, but a bunch of movies from different genres.

This is a simple plot and well executed.  We have Zachary Scott’s character jumping out of a married women’s bedroom window as the police are at the front door.  He gets away and the authorities think it is suicide.  He gets a few bucks out of her purse on the way out.  We then go to Emerson’s character as a secretary for a doctor, she seems happy, but is looking for love.  She soon finds it in Scott the new stranger in town.  The romance seems to blossom and they are soon engaged.  Soon Emerson’s little sister comes to town on the train, played by Mona Freeman.  The little sister is going to get $25,000 when she marries and soon we see Scott’s character leaning towards the younger sister.  Emerson becomes suspicions of this and wants to kill Scott.  Will she succeed or will our lead marry the younger sister and live off the $25000 until its gone?

Like I said, this is a pretty simple plot with not a lot of twists and turns, but a bit of a surprise ending.  This doesn’t look like an overly popular film noir, but is worth watching for big noir fans or fans of Scott and Emerson.

Review: The Gambler

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The Gambler is a neo noir film from last year and I was finally able to see it on Blu-Ray.  The reviews are a mixed bag for this film.  I got to say I really enjoyed it.  I loved the noirish cinematography, the story and the performances. Reading some of the headlines for the negative reviews for this film, mention how it don’t stand up to the original.  I’m the first to jump on the” re-make is unnecessary” camp and understand where these people are coming from.  I, unfortunately have never seen the original(though I hope to someday) so I went into this film with no preconceived idea of what to expect.  Maybe this is why I enjoyed it so much.

This film is based on the original screenplay by James Toback and tweaked for a new generation by William Monahan who has done some great neo-noir and crime films.  The film is directed by Rupert Wyatt.

This film stars Mark Wahlberg as our anti-hero main character.   He is a writer and a professor, but that is second to being a gambler.  We also have Jessica Lange as his mother.  Brie Larson as his brilliant student and his romantic interest as well as perhaps his saver.  We have Michael Kenneth Williams and John Goodman as opposing gangsters. We also have Williams’ co-star from The Wire,Domenick Lombardozzi, showing up as Goodman’s top henchman.

Our story starts with Wahlberg gambling in a Korean gambling den.  He is playing blackjack and doing very well at first, he then loses.  The Korean’s want their money, Williams offers Wahlberg $50,000 to try to get even, he doesn’t.  He then goes to Goodman for a loan.  Goodman reminds him that Williams will kill him if he doesn’t pay back his debt.  We then find Wahlberg at his day job as a professor.  We take off from there as he juggles his debt, his family, and his class of students.

I really liked the neo noir filming style in this film.  One of the things you will notice while watching this is each person our protagonist owes money has their own color,the Korean’s color is green, Michael Kenneth Williams’ gang has the color black and John Goodman’s color is red. I first picked upon this in the scene where Wahlberg is waiting to be picked up by Lombardozzi.  I noticed all the cars are white, grey and black in a wash of Land Rovers and BMW’s we see Lombardozzi pull up in a bright red Porsche Cayenne.  There are a lot of beautiful noir like scenes in this from the smokey gambling halls, to a grayed out class room, to the neon lights of a casino.  I also loved the soundtrack for this film and how it was used.  Also pay attention to Wahlberg’s suit throughout the film and how it changes.

Like I said, I really liked this film, but I have not seen the original.  I think if you go into this with fresh eyes and do not compare it to the original you may enjoy it too.  I would love to hear from those lucky enough to see both of these films and what your thought on both are.

Favorite tidbit: Mark Wahlberg dropped 61lbs for his role going from 198lbs to 137lbs, to show the characters lack of caring about his health and well-being.

Review: The Wages of Fear or Le Salaire de la Peur

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The Wages of Fear is an interesting film and very good, but is it a classic film noir?  While watching this I was on the fence and looked for other people’s opinion on the matter.  Wikipedia and AMC do not list it in their full list of film noir titles.  The Film Noir Foundation does, and John Grant has it in his “A Comprehensive Encyclopedia of Film Noir.”  If you don’t know about John Grant check out his blog at https://noirencyclopedia.wordpress.com/ for a ton of noir information.

My argument for it not being a film noir is there really isn’t anything illegal going on here, sure our big American oil company is immoral and all about the mighty dollar.  Sure some of the things they did in this film would be illegal today, but in the 1950’s it was probably all legit.  There is no femme fatale to speak of, Vera Clouzot is almost the anti-femme fatale.  All she cares about is the safety of her main man.  The shooting of the film is not in the classic noir style except in a few key scenes.  Hardly any shadow play is used, being most of the film takes place in the middle of the day in the desert.

My argument for it being a noir story is quite simple, a handful of characters are put in a situation they have very little hope of getting out of.  When they see their chance, they take it, even though they know their chances are slim to none.  They will almost do anything in their means for a little hope.  They are average men put in an extreme circumstance like all good noirs.  The end isn’t exactly a happy one either, another trademark of a good noir.

This movie is based on the book by Georges Arnaud and is adapted for the screen and directed by Henri-Georges Clouzot.   It stars Yves Montand  as our main hero, Mario.  This is Montand’s first dramatic role and what a role!  He went on to make many great films and I look forward to watching more of his work.

This story starts with Mario and some other ex-pats in a small bar in an unknown village.  We see Linda, Vera Clouzot’s character, washing the bar floor and soon crawls over and purrs like a cat as Mario pets her.  A very interesting scene as we get an idea of Linda’s situation.

A new man flies into town on the plane by the name of Jo, played by Charles Vanel.  We soon find out how it is cheap to get to this village but there is no work and it is very expensive to get out.  We have a small group of guys stuck in the village, scraping by on odd jobs, just enough to get a meal and a drink at the bar on a good day.  The opportunity arises when the big oil company has a oil well blow up and they need some nitroglycerin shipped over 300 miles to the site to extinguish the well.  Knowing the unions would never send any of their own men to do the task, they get the group to compete for one of 4 spots on driving 2 trucks to the site.  Knowing they have a 50% chance of making it, do to the lack of the right equipment and the nature of the nitroglycerin, 1 of the 2 trucks should make it.  This only gets darker and more intense from here.

After watching this, you can see why America edited out over 50 minutes of footage so they would not look to bad.  The greed of the big corporation is nothing new, but it is interesting to see this from a French prospective.  This movie is an amazing movie, every film buff should see it least once, but is it a film noir?  What do you think?

Favorite Tidbit:  Vera Clouzot only appeared in 3 films, all directed by her husband Henri-Georges Clouzot.  One of her other two films is Diabolique.  Not a bad hitting percentage.

Review: Copycat

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This is the first time I’m seeing this film, even though it was released 20 years ago.  When I would go to the video store, I would pick it up and then put it down for something else.  I saw it playing on cable television, but something else was always on which I wanted to see more.  I finally watched it, after all these years.

This film is directed by Jon Amiel and written by David Madsen and Ann Biderman.  Biderman has gone on to write some great neo-noir and crime stuff for both movies and television.  This has a star-studded cast with Sigourney Weaver, Holly Hunter, Dermot Mulroney and Harry Connick Jr. being the big names in this film.

This film starts out with Weaver giving a lecture on serial killers, establishing her as our expert on the subject for this film.  She is attacked by Connick in the bathroom after her lecture and our opening credits role.  We then meet Mulroney and Hunter as homicide detectives doing some training.  They find a murder victim and feel they have a serial killer on their hands.  They soon recruit Weaver to help them.  She discovers our killer is emulating famous serial killers throughout history.  The investigation takes off from there.

This film feels average among a rush of neo-noir films coming out in the 1990’s, you can feel The Silence of The Lambs influences on this as well as having the bad luck to come out the same year as Se7en.  It seems to be rehashing these ground breaking films of the time but not bringing anything really new to the table.  Weaver said she was most proud of this film, but also said that the film was lost in the shuffle of all the thrillers coming out at this time.  It’s a good film, I think it maybe a bit to long at over 2 hours to tell this story.  I think they could have edited out a murder or two and cranked up the intensity for a more taut feeling film.  It is a must see for Weaver fans and Hunter fans won’t be disappointed.  If you love your serial killer thrillers from the 1990’s this should be on your “to watch list” if you have not seen it yet.

Official Teaser Trailer for Legend

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I came across this trailer this morning.  This film Legend is written and directed by neo-noir great Brian Helgeland and starring Tom Hardy as identical twin brothers who happen to be gangsters. This is based on real life gangsters Ronald and Reginald Kray.  Looks like an amazing film to look forward to later this year.  What do you think?

Review: Nightfall

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I had this on my DVR from a showing on TCM and found the introduction to the movie interesting.  Now legendary noir author David Goodis wrote NIghtfall as a screenplay after his success with the film Dark Passage.  Dark Passage put him in the spotlight and he was in Hollywood putting his writing skills to use.  He wrote a screenplay with this story and nobody wanted it.  He got flustered with the Hollywood machine and turned it into a book.  Roughly 10 years later Stirling Silliphant took the book and made it into this screenplay.  He changed a few scenes and gave the bad guy heavies a little more depth and character.  This gave it another chance in Hollywood and it was made into this movie.

film noir directing great Jacques Tourneur was in the directors chair for this film.  It also stars Aldo Ray and Anne Bancroft as our romantic couple.  Brian Keith and Rudy Bond play our thug like bank robbers and we also have James Gregory as an insurance investigator.

This film starts out with Aldo Ray at a news stand looking at papers from the Chicago area.  Gregory talks to him at the corner waiting for his bus.  Then Ray walks into a bar and meets Anne Bancroft.  They hit it off and have dinner, after dinner our two thugs jump our couple.  Bancroft is sent home and Ray is taken in a car.  From here Ray and the thugs battle it out through out the film and the story is told with a few flashbacks to see how our thugs and our hero come to meet.  Our adventure goes from the classic noir streets of Los Angles to the wilderness of Wyoming.

I am surprised with the talent in this film, from the great writing and directing to some good performances from our cast, that this movie isn’t more talked about.  If you’re a fan of any of the cast or crew or just a classic film noir fan, you should check out this film.  It will be well worth your time.