Review: Where the Sidewalk Ends

Where the Sidewalk Ends is a classic film noir from 1950 directed by noir great Otto Preminger.  We have more noir greatness in the two leading stars, Dana Andrews and Gene Tierney.  All three worked on Laura, returning to work together 6 years later on this film.  This is based on a book by William L. Stuart

Some of the small roles that stood out to me is Gary Merrill as our mobster boss and Karl Malden as the cop who just got promoted to lieutenant over Dana Andrews.

This story starts out with Tierney who is accompanied by two other men playing an illegal game of craps.  One of them is winning big, real big.  He is up $19,000!  Tierney starts to go home and one of the men says they can not go yet.  He smacks her and the man up $19 grand punches him.  The two men fight and our lucky gambler is left unconscious on a couch.  We then go to the police headquarters where a murder is reported.  Andrews and his partner leave to investigate the case.  They find the luck gambler dead on the floor, stabbed in the heart.  This is in Merrill’s room where the illegal craps game was being played.  We soon see Merrill and Andrews do not like each other and have a history.  Andrews goes to the apartment of the other man who was with Tierney and who Merrill says killed our gambler.  There is a fight and Andrews accidentally kills his only suspect in a fist fight.  Now Andrews has to cover the murder he committed. Will he get away with it?  Will Merrill get away running his illegal game and possibly murder himself?  How will Tierney react to all of this?

This is another great noir from Andrews, Tierney and Preminger.  I felt it was a darker more gritty noir then Laura and well worth watching.  The fight scenes are not flashy and play more realistically then what we get today.  The style of the film is  quintessential noir.  This was Preminger’s last of 4 noir films he made for 20th Century Fox in the 1940’s and is one of the best.  He went on to make more noir, crime and thriller films well worth watching for other studios.  This film is a must see for all classic film noir fans and all fans of film should give it a viewing.

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Review: The Cat o’ Nine Tails

The Cat o’ Nine Tails is a neo noir suspense film from Italian great, Dario Argento.  Argento is the Hitchcock of Italy, and I’ve seen some of his films and find I love some and hate some.  In recent years he has mostly done straight up horror movies, but in the 1970’s he made quite a few really good crime, mystery, suspense and neo noir films.  Argento says this is his least favorite of his films and has disowned it over the years.  Though this is not his best work, it is watchable and has an interesting story.

This film stars Karl Malden as a blind crossword writer, who used to be a journalist before he was blinded 15 years ago.  His intuition takes over on a case that looks like a simple breaking and entering, which happened across the road from where Malden lives, and a scientist who falls in front of a train a day later.  Malden thinks the two incidents are linked and recruits James Franciscus who is a current journalist to help him with the case.  More people are murdered and the plot thickens as our now serial killer may be coming after one of our heroes.  Catherine Spaak plays are femme fatale and gets involved with Franciscus.

This is Argento’s second film and his youthful sophomore experience is not his best.  He definitely cribbed some Hitchcockian themes and even some camera shots in this film.  Argento’s horror movie future does start to show in this film, with the death scenes a little more grotesque and violent than most suspense films.  Most of the death scenes are shot from the point of view of the killer, this was nothing new, but was still very stylish and different than most films from the era.

This would not be the first film I would recommend for Argento newbies, but if you are a fan of his, it is worth checking out.