
He Ran All the Way stars John Garfield in his last role. Garfield died of coronary thrombosis at the age of 39. Garfield was a prominent actor in the classic noir period. Shelley Winters also stars as the female lead early in her illustrious career. Character actor Wallace Ford also appears as Winters’ father. This film is based on a book by Sam Ross and directed by John Berry. The film was released in 1951, five years after Garfield’s most famous role in The Post Man Always Rings Twice.

This film starts out with Garfield and his partner robbing a payroll. They are chased and Garfield’s partner is shot. Garfield gets away, but shoots a police officer in the process. He escapes to a public pool and literally runs into Winters. He quickly knows she may be his way to hide out. They go back to her apartment where we and Garfield learn she lives with her parents and little brother. The police officer dies and Garfield is all over the papers as the killer. Garfield takes the family hostage while he hides out there. Will Garfield get away with the loot? Will Winters fall for him as they go off together to live happily ever after? Will Garfield kill any of the members of the family before he gets away? Will Garfield even get away?
The tension is strong for this classic and works very well. It has a simple plot with great performances from the small cast. This is a very good film noir worthy of any noir fan’s time. I wish we had a few more of these films from Garfield before he left us, but we can always go back and watch The Postman Always Rings Twice and the handful of other noir films he has starred in.

Here is a short film noir of only 73 minutes long, which takes place over those same 73 minutes. This is Directed by Robert Wise and stars Robert Ryan as our main character. Ryan plays Stoker, an over the hill boxer hoping to make one last run as a fighter. Audrey Totter plays Stoker’s wife who wants him to stop fighting before he is hurt to bad. We start out with our couple in their apartment as Stoker gets ready to head to the arena. He gives his wife a ticket to watch the fight, she makes one last effort to stop him from fighting to no avail. Stoker gets into the locker room to start getting ready for his main event fight. We meet a varied crew of fighters in different stages of their career. It is almost like Stoker is reliving his past and looking into his near future as the fighter come and go, before and after their bouts. We get to see so many great character actors of the classic noir era in this locker room. Names such as George Tobias, Wallace Ford, Percy Helton, James Edwards and David Clarke. We have a hodge-podge of fighters, trainers, promoters and gangsters coming and going through out the night.
Stoker’s team and his opponents team have agreed that Stoker will throw the fight for the gangster named Little Boy played by Alan Baxter. The problem is, nobody told Stoker! Will he learn before it is too late to throw the fight? If he does learn about the set-up will he agree to do it? Will Stoker’s wife show up to watch the bout?
As I have stated before, the more I watch Robert Ryan’s films the more I like him. He did such a wide range of characters, it is hard to believe he could be so versatile. The only common thread when Ryan is in a film, he will always be tough as nails. This film is so unique and so great, I think everybody should see this at least once if you are a film lover at all. If you are a noir fan it is a must see and if you like Ryan you probably already seen this, if not drop everything and do it now! Do you think this was a big influence on Quentin Tarantino’s story line in Pulp Fiction revolving around Bruce Willis’ character? I can’t help but see many similarities between Willis and Ryan’s characters. What do you think?



