Year: 2015

Re-Watching the Classics: Conflict

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Conflict is a classic film noir from director Curtis Bernhardt. The original story is from novelist Alfred Neumann and the great noir director Robert Siodmak. This film maybe cashing in on the success of The Maltese Falcon with the teaming up of Humphrey Bogart and Sydney Greenstreet once again. Then again who cares! I would love to see this duo in 100 movies!

This film revolves around Richard Mason played by Bogart. He is a wealth business man who is married to Kathryn played by Rose Hobart. Greenstreet plays a family friend who is a psychiatrist. Alexis Smith plays Kathryn’s little sister and has caught the eye of Richard. After a party where we get to know the main players Richard, Kathryn and her little sister are involved in a car crash. Richard is hospitalized and now has to use a cane to get around. Richard and Kathryn’s marriage is on the rocks after Kathryn brings up the fact she can tell Richard is in love with her little sister. She decides to go up to the lodge in the woods by herself and Richard stays behind. With Richard using his injury and alibi of staying in the city, he causes Kathryn to drive off the pass in her car falling to her death. With Kathryn out of the picture will Richard win the heart of her little sister? Will anybody ever find Kathryn? Will Richard’s evil plan all come together for him or will it unravel as his web of lies start to fall apart?

This maybe one of the lesser known noir films starring Bogart, but it shouldn’t be. This is an amazing film with Bogart at his dapper best. He is pure evil in this one, but you still root for him. Greenstreet plays the smartest man in the room like no other. The cinematography in this one is well above average for a classic noir with some amazing shots and scenes that look totally original. If you are noir fan or fan of Bogart and/or Greenstreet (and who is not!) you will enjoy this film.

Favorite Tidbit: Way before Easter Eggs was even a thing, this film has two of them, both from earlier in Bogart’s career. In one scene you will see a version of The Maltese Falcon on a filling cabinet and one of the brooches worn by Kathryn is the exact same one worn by Ingrid Bergman in Casablanca.

Review: 36th Precinct

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The 36th Precinct is a French neo noir written and directed by Olivier Marchal. This film revolves around two men fighting for power in the police force. They are played by Daniel Auteuil who plays Leo and Gérard Depardieu who plays Denis. This film takes place over a long period of time and has many sub plots. There are also a number of minor characters, some of which I wish we learned a bit more about. The two stand outs for me are Catherine Marchal, who plays a detective new to Denis’ team and Francis Renaud, who plays a hot head young officer on Leo’s team.

This story starts out with a perfectly executed armed car robbery. The group all wear masks and work well as a team. Leo’s team is soon on the scene to investigate. Denis’ team also shows up at the scene of the crime. We can see the tension between our two leads as we learn they where once friends but something has made them bitter enemies. Then there is a meeting between the Police Chef and Leo, he is told who ever solves this crime is more than likely going to be the new Police Chef.

This sets up a fight for power between the two, both of which use criminal connections to get ahead. These criminal connections maybe the downfall of one or both of our leads. This story is a more complicated than a simple armed car robbery case and covers many years of back and forth struggles between these two men.

This film has been in development for sometime as a Hollywood remake. I think this is actually a good idea. Moving the film to a United States city and adding a little to the plot for an American audience may actually make for a good film. I feel this film is very good, but I personally think this plot is to complex for a simple 2 hour film. I would love to see this developed into a premium cable channel’s television series. This could be great as an 8 hour series in the vain of True Detective or Rectify. They could develop a few of the other characters and both of the main characters marriages in a short series. This could even be a jumping off point for a season 2. Either way I look forward to the remake of this film and in the meantime I think most will enjoy this original.

Video: San Francisco is the Scene of a Perfect Crime

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In the world of noir Los Angeles and New York seem to be the two cities used most often. San Francisco may not have the numbers of the other two, but it sure has a lot of high quality noir and neo noir films based in this city. Here are the films I have already reviewed that appear in this video from RubyTuesday717 on YouTube.

Bullitt

https://everythingnoir.com/2015/02/21/re-watching-the-classics-bullitt/

Basic Instinct

https://everythingnoir.com/2015/04/14/the-great-villain-blogathon-2015-catherine-tramell-and-re-watching-basic-instinct-2/

Woman on the Run

https://everythingnoir.com/2015/06/24/review-women-on-the-run/

Maltese Falcon

https://everythingnoir.com/2015/03/05/re-watching-the-classics-the-maltese-falcon/

The Conversation

https://everythingnoir.com/2015/05/14/re-watching-the-classics-the-conversation/

Zodiac

https://everythingnoir.com/2015/02/26/re-watching-zodiac/

Here is the video, this is well done and every noir and neo noir fan will enjoy this short video:

Review: Roadblock

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Roadblock is a film noir from 1951 directed by Harold Daniels. This film stars noir regular Charles McGraw with a bunch of noir roles coming before this film and maybe his high mark in the noir genre coming one year later with Narrow Margin. This also stars Joan Dixon as our femme fatale. She is a gold digger who doesn’t believe in love, but knows she wants riches.

The story start out with a sting on a man who has stolen some money. McGraw is an insurance fraud investigator and takes his job seriously. He stays honest and doesn’t bend the rules at his job. After successfully recovering a large amount of money for the insurance company, he gets on a train to head home. This is where he meets Dixon and falls madly in love. She says he doesn’t have the money or income to interest her. After running into her again while investigating another case he figures the only way to her heart is by stealing a large amount of money. While he do that to win the love of our femme fatale? Will he get away with it? If he does it will it be enough for her to “fall in love” with him?

This is a short film that is borrowing from a lot of the films that came before it. This doesn’t have anything that we have not seen from noir films of the 1940’s. This being said, it is still an entertaining short film. At only 73 minutes long it is well worth your time to check it.

Review: The Strip

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The Strip from 1951 is a different film noir than most. This film has a small noir tale to tell, but the tale seems to just be there to get you from one song and dance number to the next. People who are fans of the music of the era will love this film.

This film revolves around Mickey Rooney who has just got out of a mental institution. He soon gets a job selling “insurance” for a local gangster played by James Craig. He soon gets the chance to chase his passion of playing drums at a club on the strip in Hollywood. Fluff, played by William Demarest, owns the club and is Rooney’s father figure for this film. He soon falls for Sally Forrest who is a cigarette girl and dancer at the club. Rooney soon has plans of marriage, but Forrest is hoping to improve her career in the entertainment industry by trying to get into the movies. Rooney, wanting to keep Forrest happy, introduces her to his old gangster connection, Craig. Craig says he has connections in the movie industry and will help Forrest get into the movies. Will Rooney lose his girl to his old gangster friend? Will Forrest ever get into the movies?

All this is happening as we see performances from Louis Armstrong, Monica Lewis and Vic Damone. We see Rooney on the drums and Forrest doing dance numbers as well. This is a very entertaining film because of the music and dancing, but falls into the average film noir department.

If you are a fan of Rooney, Forrest or some of the musical acts that perform, I think you will love this film. If you are looking for a very dark film noir, skip this one.

Article: The Modern Noir Has Atrophied

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Angelica Jade Bastién has written an interesting article over at Vulture. She looks at neo noir and what is missing from it lately compared to the classic noir period. She gives a very interesting point of view with some great information. Though I don’t agree with everything she has to say, it does make for some interesting reading and discussion.  What do you think of her take on noir and neo noir?

http://www.vulture.com/2015/08/noir-has-atrophied-its-not-all-true-detectives-fault.html

Article: The 100 Best Film Noirs of All Time

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Paste has made a list: “The Best Film Noirs of All Time”. This list mixes in classic film noir with more modern neo noir films for an interesting list. I like the films on the list, but may disagree with the order. What do you think of the list? How many of these films have you seen?

http://www.pastemagazine.com/articles/2015/08/the-100-best-noirs-of-all-time.html?a=1

Re-Watching the Classics: Angel Face

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Angel Face is a classic film noir directed by Otto Preminger from RKO while Howard Hughes was the head of the studio. The story revolves around Robert Mitchum who is an ambulance driver and a young women with issues played by Jean Simmons.

This film starts with Mitchum as an Ambulance driver, on a call at a mansion. The lady of the house had a close call with a gas leak, but seems OK now. Mitchum goes down stairs and talks to Simmons, this is where the infamous slapping scene happens.

Hughes was not happy with Simmons and put her in this film at the end of her contract. He hired Preminger to make her life a living hell. Preminger made Mitchum slap Simmons over and over again to get the right take. Mitchum finally walked over to Preminger and slapped him full force asking if that is the way he wanted it. Simmons later in life still could not watch this film because of the hell she went through making it. The only thing she loved about this film was Mitchum.

In the film Simmons befriends Mitchum and gets him a job as the driver for her Father and Step-Mother. Soon her Step-Mother and Father dies in a horrible car accident. It looks like the car was sabotaged and our couple is the prime suspects.

Simmons plays one of the best femme fatale in noir history in this film and Mitchum is great as always. The ending is one of the bleakest of all time as well. The story is good and over all the film is above average. Well worth your time if you are a fan of film noir or one of the two stars.

Favorite Tidbit: Simmons cut her hair short, knowing Howard Hughes hated his leading ladies having short hair. She thought this would get her out of her contract with RKO. Instead Hughes made her wear a horrible wig through out this film.

Review: A Cry in the Night

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A Cry in the Night is a film noir from 1956 directed by Frank Tuttle. The three stars are:

Edmond O’Brien playing a detective and father

Natalie Wood playing O’Brien’s daughter

though the poster says the third star is Brian Donlevy, playing the detective in charge of the case, the real third star of this film is Raymond Burr playing a psychopath.

This story starts out with Wood and her boyfriend, played by Richard Anderson, up at “Lover’s Loop” parked in his car. They are discussing their future together when the boyfriend notices a man in the trees watching them. He goes to investigate and a scuffle ensues. Burr hits the boyfriend with his lunch box. The boyfriend goes down and Wood comes over to see how he is doing. She thinks he is dead and Burr carries her away and steals the car. When the police find the boyfriend, they think he is drunk and throw him in the tank. A doctor at the police headquarters discovers him and brings him into Donlevy’s office to tell his story. When Donlevy finds out Wood is the girl kidnapped, he goes to O’Brien’s house to inform him of the situation. This scene is interesting as O’Brien plays a fun-loving husband and father, drinking a beer and talking to his wife. When he is informed of his daughter’s kidnapping, he instantly turns into a hard-boiled detective.

The story takes place over the course of one night with a pretty straight forward plot. Burr is a pretty interesting character here as a mentally disturbed man who lives with his overbearing mother. Natalie Wood also stands out playing a teenager in trouble, but in the 1950’s she may have been the best at that.

This is a very good film noir worth checking out. It is a hidden gem and if you are a film noir fan you will find it very entertaining.

Favorite Tidbit: This film was from Jaguar Productions, a small movie production company that only lasted a few years. It was established by Alan Ladd. You can hear his voice in the beginning of the film in an uncredited voice over.