Month: May 2015

Review: The Gambler

bryancyr Movie, Neo-Noir , , , , , , , , , ,

The Gambler is a neo noir film from last year and I was finally able to see it on Blu-Ray.  The reviews are a mixed bag for this film.  I got to say I really enjoyed it.  I loved the noirish cinematography, the story and the performances. Reading some of the headlines for the negative reviews for this film, mention how it don’t stand up to the original.  I’m the first to jump on the” re-make is unnecessary” camp and understand where these people are coming from.  I, unfortunately have never seen the original(though I hope to someday) so I went into this film with no preconceived idea of what to expect.  Maybe this is why I enjoyed it so much.

This film is based on the original screenplay by James Toback and tweaked for a new generation by William Monahan who has done some great neo-noir and crime films.  The film is directed by Rupert Wyatt.

This film stars Mark Wahlberg as our anti-hero main character.   He is a writer and a professor, but that is second to being a gambler.  We also have Jessica Lange as his mother.  Brie Larson as his brilliant student and his romantic interest as well as perhaps his saver.  We have Michael Kenneth Williams and John Goodman as opposing gangsters. We also have Williams’ co-star from The Wire,Domenick Lombardozzi, showing up as Goodman’s top henchman.

Our story starts with Wahlberg gambling in a Korean gambling den.  He is playing blackjack and doing very well at first, he then loses.  The Korean’s want their money, Williams offers Wahlberg $50,000 to try to get even, he doesn’t.  He then goes to Goodman for a loan.  Goodman reminds him that Williams will kill him if he doesn’t pay back his debt.  We then find Wahlberg at his day job as a professor.  We take off from there as he juggles his debt, his family, and his class of students.

I really liked the neo noir filming style in this film.  One of the things you will notice while watching this is each person our protagonist owes money has their own color,the Korean’s color is green, Michael Kenneth Williams’ gang has the color black and John Goodman’s color is red. I first picked upon this in the scene where Wahlberg is waiting to be picked up by Lombardozzi.  I noticed all the cars are white, grey and black in a wash of Land Rovers and BMW’s we see Lombardozzi pull up in a bright red Porsche Cayenne.  There are a lot of beautiful noir like scenes in this from the smokey gambling halls, to a grayed out class room, to the neon lights of a casino.  I also loved the soundtrack for this film and how it was used.  Also pay attention to Wahlberg’s suit throughout the film and how it changes.

Like I said, I really liked this film, but I have not seen the original.  I think if you go into this with fresh eyes and do not compare it to the original you may enjoy it too.  I would love to hear from those lucky enough to see both of these films and what your thought on both are.

Favorite tidbit: Mark Wahlberg dropped 61lbs for his role going from 198lbs to 137lbs, to show the characters lack of caring about his health and well-being.

Review: The Wages of Fear or Le Salaire de la Peur

bryancyr film-noir, Movie , , , , , , ,

The Wages of Fear is an interesting film and very good, but is it a classic film noir?  While watching this I was on the fence and looked for other people’s opinion on the matter.  Wikipedia and AMC do not list it in their full list of film noir titles.  The Film Noir Foundation does, and John Grant has it in his “A Comprehensive Encyclopedia of Film Noir.”  If you don’t know about John Grant check out his blog at https://noirencyclopedia.wordpress.com/ for a ton of noir information.

My argument for it not being a film noir is there really isn’t anything illegal going on here, sure our big American oil company is immoral and all about the mighty dollar.  Sure some of the things they did in this film would be illegal today, but in the 1950’s it was probably all legit.  There is no femme fatale to speak of, Vera Clouzot is almost the anti-femme fatale.  All she cares about is the safety of her main man.  The shooting of the film is not in the classic noir style except in a few key scenes.  Hardly any shadow play is used, being most of the film takes place in the middle of the day in the desert.

My argument for it being a noir story is quite simple, a handful of characters are put in a situation they have very little hope of getting out of.  When they see their chance, they take it, even though they know their chances are slim to none.  They will almost do anything in their means for a little hope.  They are average men put in an extreme circumstance like all good noirs.  The end isn’t exactly a happy one either, another trademark of a good noir.

This movie is based on the book by Georges Arnaud and is adapted for the screen and directed by Henri-Georges Clouzot.   It stars Yves Montand  as our main hero, Mario.  This is Montand’s first dramatic role and what a role!  He went on to make many great films and I look forward to watching more of his work.

This story starts with Mario and some other ex-pats in a small bar in an unknown village.  We see Linda, Vera Clouzot’s character, washing the bar floor and soon crawls over and purrs like a cat as Mario pets her.  A very interesting scene as we get an idea of Linda’s situation.

A new man flies into town on the plane by the name of Jo, played by Charles Vanel.  We soon find out how it is cheap to get to this village but there is no work and it is very expensive to get out.  We have a small group of guys stuck in the village, scraping by on odd jobs, just enough to get a meal and a drink at the bar on a good day.  The opportunity arises when the big oil company has a oil well blow up and they need some nitroglycerin shipped over 300 miles to the site to extinguish the well.  Knowing the unions would never send any of their own men to do the task, they get the group to compete for one of 4 spots on driving 2 trucks to the site.  Knowing they have a 50% chance of making it, do to the lack of the right equipment and the nature of the nitroglycerin, 1 of the 2 trucks should make it.  This only gets darker and more intense from here.

After watching this, you can see why America edited out over 50 minutes of footage so they would not look to bad.  The greed of the big corporation is nothing new, but it is interesting to see this from a French prospective.  This movie is an amazing movie, every film buff should see it least once, but is it a film noir?  What do you think?

Favorite Tidbit:  Vera Clouzot only appeared in 3 films, all directed by her husband Henri-Georges Clouzot.  One of her other two films is Diabolique.  Not a bad hitting percentage.

Review: Copycat

bryancyr Movie, Neo-Noir , , , , , , , ,

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This is the first time I’m seeing this film, even though it was released 20 years ago.  When I would go to the video store, I would pick it up and then put it down for something else.  I saw it playing on cable television, but something else was always on which I wanted to see more.  I finally watched it, after all these years.

This film is directed by Jon Amiel and written by David Madsen and Ann Biderman.  Biderman has gone on to write some great neo-noir and crime stuff for both movies and television.  This has a star-studded cast with Sigourney Weaver, Holly Hunter, Dermot Mulroney and Harry Connick Jr. being the big names in this film.

This film starts out with Weaver giving a lecture on serial killers, establishing her as our expert on the subject for this film.  She is attacked by Connick in the bathroom after her lecture and our opening credits role.  We then meet Mulroney and Hunter as homicide detectives doing some training.  They find a murder victim and feel they have a serial killer on their hands.  They soon recruit Weaver to help them.  She discovers our killer is emulating famous serial killers throughout history.  The investigation takes off from there.

This film feels average among a rush of neo-noir films coming out in the 1990’s, you can feel The Silence of The Lambs influences on this as well as having the bad luck to come out the same year as Se7en.  It seems to be rehashing these ground breaking films of the time but not bringing anything really new to the table.  Weaver said she was most proud of this film, but also said that the film was lost in the shuffle of all the thrillers coming out at this time.  It’s a good film, I think it maybe a bit to long at over 2 hours to tell this story.  I think they could have edited out a murder or two and cranked up the intensity for a more taut feeling film.  It is a must see for Weaver fans and Hunter fans won’t be disappointed.  If you love your serial killer thrillers from the 1990’s this should be on your “to watch list” if you have not seen it yet.